The composition in question is a specific type of religious parody, borrowing the structure and cadence of Clement Clarke Moore’s classic Christmas poem, “A Visit from St. Nicholas” (also known as “‘Twas the Night Before Christmas”). The original poem’s imagery and narrative are repurposed to convey a message about Christian eschatology, specifically the Second Coming of Christ. It presents a scenario where individuals are caught unprepared for this event, engaging in secular activities instead of spiritual preparation.
This type of poem serves multiple functions. It acts as a form of evangelism, prompting reflection on one’s spiritual state and urging readiness for a future divine judgment. The familiar structure makes the message more accessible and memorable, potentially reaching a wider audience than more formal theological discourse. Historically, such parodies have been employed to engage with contemporary culture and issues, using established forms to convey new or alternative perspectives.